Anthology box set of Stereolab's Switched On compilations of singles and rarities, originally issued between 1992 and 1998. Contains Switched On, Refried Ectoplasm [Switched On Volume 2], and Aluminum Tunes [Switched On Volume 3]. Reverse board clam shell box with disks in individual card wallets and insert.
Remastered edition of a compilation of Stereolab's first three singles, first issued in 1992. Initial copies come on clear vinyl. Includes download card. Reissued alongside new vinyl editions of the companion volumes Refried Ectoplasm [Switched On Volume 2], Aluminum Tunes [Switched On Volume 3], and a CD anthology of all 3 volumes.
Remastered edition of a compilation of Stereolab singles and rarities, first issued in 1998. Initial copies come on clear vinyl. Screenprinted gatefold sleeve. Includes download card. Reissued alongside new vinyl editions of the companion volumes Switched On, Refried Ectoplasm [Switched On Volume 2], and a CD anthology of all 3 volumes.
Remastered edition of a compilation of Stereolab singles and rarities, first issued in 1995. Initial copies come on clear vinyl. Includes download card. Reissued alongside new vinyl editions of the companion volumes Switched On, Aluminum Tunes [Switched On Volume 3], and a CD anthology of all 3 volumes.
May 3, 2019 sees the start of Stereolab's seven album reissue campaign when 1993's 'Transient Random Noise-Bursts With Announcements' and 1994's 'Mars Audiac Quintet' are reissued, via Warp Records and Duophonic UHF Disks, as expanded and re-mastered editions on vinyl and compact disc. Each album has been re-mastered from the original 1/2'' tapes by Bo Kondren at Calyx Mastering and overseen by Tim Gane. Bonus material will include alternate takes, 4 track demos and unreleased mixes.
Stereolab formed in London in 1990, and released 13 studio albums, 15 eps and numerous singles. Simon Reynolds commented in Rolling Stone that the group’s early records form “an endlessly seductive body of work that sounds always the same, always different.” Their sound was a mix of new and old...dubbed “post-rock”, they used vintage keyboards, and the vocals were in English and French. They are often noted as being one of the most influential and original bands of the 90s. Theirs is a rich, overflowing palette, readily able to blur the gulf between Os Mutantes and the BBC Radiophonic Orchestra; merge Krzysztof Komeda with the Velvet Underground, Francoise Hardy with Neu! and Burt Bacharach with Esquivel. A deluxe blend, in other words, with ingredients plucked assiduously from pop’s coolest outposts: 50’s lounge, Rive Gauche chanson, Brazilian tropicalia, North American art rock, East European film music, Krautrock. hi-fi test recordings, mood music and more. Somehow they distill these apparently incongruent components into an ageless exotica that is all their own.
Double vinyl LP pressing. Released in late 2001, Sound-Dust found Stereolab firmly in the midst of their second phase. After taking a two-year break, the band returned with a strong melodic focus and a highly evolved, sophisticated style of writing that further displayed their growing talents. Many fans and critics consider the album to be among the group's finest. Producers Jim O'Rourke (Sonic Youth, Gastr del Sol) and John McEntire (Tortoise, Sea and the Cake) returned to further Stereolab's continuing evolution. The group brings a lighter, almost orchestral touch to the set of songs with unpredictable shifts in tempo and melody. The avant-garde and lounge textures still remain, but are balanced by sun-kissed harmonies and breezy Tropicalia. Sound-Dust is another example of a pioneering band moving forward creatively. It's a full-color collage of sound bursting with catchy refrains and exuberant rhythms. Always a band to add new twists to their sound, this album returns Stereolab to it's most playful and otherworldly.